FlipBook is for real animators who want to do real animation. "Comment on "Don Bluth Recommends DigiCel FlipBook" ". Credits and endorsements įlipBook has been used on Titan A.E., The Simpsons Movie, Enchanted, The Princess and the Frog and others, and has been endorsed by Don Bluth. Ī free, full-featured demo version which produces watermarked output is also available for download. Digicel Flipbook does not work on MacOS after Catalina (2019) but there is a version called DigiCel Flip-Pad which runs on iOS for iPad. The other editions support more layers, more frames, multiple soundtracks and higher output resolutions. The Lite edition supports one foreground and one background layer, one soundtrack, and up to three hundred frames per shot. Versions įlipBook is available in four versions: Lite, Studio, Pro and Pro HD. Each frame must be drawn separately FlipBook intentionally does not support skeletal animation or morph target animation, as these are not part of the traditional animator's toolkit. Inbetweening is done using onion skinning. In either case, the internal format is raster-based, not vector-based. It is intended to closely replicate the traditional animation process, very similar to the likes of TVPaint Animation and Toon Boom Harmony.įlipBook supports scanning physical drawings with a TWAIN-compliant scanner or webcam, or direct digital input via a Wacom tablet. There is a version for iOS called Digicel Flip-Pad. (runs on MacOS Mojave or earlier, but not on recent MacOS Catalina, Big Sur, Monterey ). Digicel flipbook tutorials software#Īfter some research I've discovered some 2D animation software that seems to be frequently recommended.įlipbook seems to be a good, simple piece of software with some nice features that really help with efficiency and adding that extra level of polish.DigiCel FlipBook is 2D animation software that runs on Microsoft Windows or Mac OS X. It apparently has been used on everything from Disney's Enchanted to The Simpsons Movie to the Wild Thornberries, and there are various videos of well-known animators - including Don Bluth - recommending it. After watching a couple of tutorials to get a general idea of how it works, I can see that it is potentially a good choice for me. I have downloaded a trial from the official site. My general impression of it was quite positive, it has a nice and simple interface and there's no overload of extra unnecessary tools which is what I find annoying on other software. My only gripe was that for some reason despite it being pixel rather than vector based, I find it hard to draw as well on anything that isn't Photoshop - a possibility would be to draw the frames in PS then transfer them to FlipBook to sort out the timing and colouring. There's also a tool for scanning in paper-based drawings. Can easily organise and edit timing of frames Extensive colour selection, and when you change a colour this change automatically applies to other frames Allows the addition of sound tracks, which is especially useful for lipsyncing Includes vertical timing sheet, with each row being a frame and each column being a layer Drawing allows pressure sensitivity, and you can choose between free drawing or 'smart' drawing which smooths out curves Allows you to draw with a tablet or scan/capture traditionally drawn frames Pixel-based rather than vector-based so allows a more traditional look I'm aware in a professional environment I'd be expected to adapt to new software, so I'm willing to practice getting used to it. When seeing examples of work produced in FlipBook, I noticed it tends to be very clean and flat, though I suppose that's more to do with artistic preference than the program. I would be able to add texture and other artistic effects in After Effects. Something that kept happening was a small moment of lag when I tried to draw, so at times it was very difficult to sketch roughly as it kept 'sticking'. Also, sometimes it wouldn't detect the pressure at all so I'd have to keep trying to draw the same area. I'm not sure what the cause of this would have been as it sometimes would work fine, but it definitely would be difficult to draw good sketches with this repeatedly occurring.ĭespite 2D dramatically decreasing in popularity for big budget animations, there's still a huge interest and love for the medium as evidenced by the many fantastic short films that are around the net. I've been looking at a lot of them to try and study some of the different approaches different artists have taken, and to see if I can find one that would fit my project. One that has caught my interest is a film called Wolfsong by Toniko Pantoja.
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